Sheilagh o leary biography of william

NEW WORKS
  • Singing Back the Buffalo

  • New York BalletCollective Collaborates with Jordan Bennett on &#;The Past Delivers&#;

  • Nestuita&#;si Storytelling&#;s Brings &#;Winter Moons&#; to Neptune Theatre

  • Tanya Tagaq to Headline Closing Night of the Tkaronto Music Festival at TD Music Hall

  • Paul Seesequasis&#; &#;People of the Watershed&#;

  • Montréal’s Botanical Gardens Illuminates First Nations Garden

  • So Surreal: Behind the Masks

  • SUGARCANE

  • SOCAN Foundation announces Mamarudegyal MTHC as the TD Indigenous Songwriter Award Winner

  • Textile Museum of Canada Presents Groundbreaking Maya Exhibition Unique Curatorial Approach Unveils Maya Art Through Indigenous Lens

  • Overcoming the horrors of Canada&#;s residential school system, Carl Beam became one of the world&#;s most revered artists and forged an activist art career

  • Free Admission to Studio Bell on National Day for Truth and Reconciliation, Featuring Guest Elder Eldon Weasel Child

  • Protest song “Shout Over Silence” unites Indigenous voices in fight for justice

  • Robinson Huron Treaty Litigation Fund (RHTLF) Hosts Ceremony Honouring th Anniversary of Treaty Signing

  • Submissions Now Open for the 4th Annual International Indigenous Hip Hop Awards &#; Trade Show

  • It takes a river of people to bring the salmon home

  • Indigenous-led supportive housing facility celebrates grand opening

  • YINTAH

  • Sydney Frances Pascal&#;s &#;We Raised Ourselves, Together and Alone&#; at Polygon Gallery

  • Jeffrey Gibson&#;s &#;the space in which to place me&#;

  • Farewell Season of Much-loved Moosemeat &#; Marmalade

  • Mi’kmaw writer Amanda Peters is Waiting for the Long Night Moon

  • What if the Colonization of the Americas Never Happened?

  • Indian Residential School records still scarce: Senate report

  • Medicine Wheel Publishing commemorates Orange Shirt Day with the release of a beautiful new children’s book by Phyllis Webstad

  • QCFC launches community resource with Country Food Market and Live Music

  • National Music Centre Announces Elisapie Live in Concert at Studio Bell on September 30

  • TEETH by Dallas Hunt

  • Alan Syliboy and the Thundermaker’s &#;Marks on the Ground&#;

  • Raven Indigenous Capital Partners invests $1,, in Iskwew Air

  • Introducing &#;The Truth in Truth and Reconciliation Educational Board Game&#;: An Indigenous view on Colonization and Reconciliation.

  • First Nations University of Canada to lead long-term transformation of post-secondary education

  • Weengushk International Film Festival Announces Programming July on Manitoulin Island

  • Indigenous Voices Rally Against Lithium Mining in Northwestern Ontario

  • New Indigenous Audio Tour of the Niagara Glen, Rekindling All Our Relations

  • STATEMENT OF SUPPORT FOR WOODLAND CREE FIRST NATION IN FIGHT AGAINST OBSIDIAN ENERGY

  • Weengushk International Film Festival announces Blanket of Stars: A Tribute to Resilience

  • Uncover Secrets of the Forest

  • &#;Red Fever&#; Documentary Hints at Both Challenge and Transformation

  • Bringing Truth and Reconciliation to the Table: Cedar Spoon Indigenous Catering Leads the Way in Indigenous Cuisine Experiences

  • June 21, in Pickering: National Indigenous Peoples Day Celebration at Esplanade Park!

  • The Native Canadian Centre of Toronto &#; Harbourfront Centre Present: National Indigenous Peoples Day Celebration

  • City of Brampton honours National Indigenous History Month and National Indigenous Peoples Day

  • National Indigenous Peoples Day FREE TALK AND ADMISSION TO MONTREAL MUSEUM OF FINE ARTS (MMFA)*

  • APTN celebrates National Indigenous Peoples Day with a focus on community engagement and entertaining programming

  • Indigenous Outreach Program Award Winners ignite a passion for STEM through Mentorship Program

  • AFN National Chief Cindy Woodhouse Nepinak Congratulates Newly Elected Anishinabek Nation Grand Council Chief Linda Debassige

  • Shannon Webb-Campbell in conversation with poet Douglas Walbourne-Gough about his latest books &#;Colour Work&#; and &#;Island&#;

  • Tamara Podemski Produces Canada’s Largest Indigenous Youth Showcase in Toronto

  • Billy-Ray Belcourt On &#;Coexistence&#;

  • Women Of This Land

  • Nehiyaw and Dene Nations of Treaty No.

    8 Adoption and Private Guardianship Law protects First Nations’ children and families

  • OneFeather Launches New AI Tool for First Nations&#; Elections

  • Sequoia Proudly Celebrates its 20th Anniversary

  • INDIGENOUS SCIENCE NIGHT: FREQUENCIES, AT TELUS SPARK!

  • Treaty Road

  • 94 Calls to Action Upholding Accountability at the Treaty Space Gallery

  • The Words and Music Show: Enkonkara Tonhase – Let Me Tell You A Story

  • Jerry Evans’ &#;Weljesi&#;

  • Sheilagh O’Leary’s &#;A Sea Change&#;

  • Ursula Johnson’s Emmitukwemk: The Visit

  • Truth Before Reconciliation in Palestine

  • WAMPUM: BEADS OF DIPLOMACY &#; A Canadian Exclusive at the McCord Stewart Museum

  • &#;Pawâkan Macbeth&#; is a Story of Retribution and Rebirth: Review by Shannon Webb-Campbell

  • TORONTO ARGONAUTS TICKET GIVEAWAY!

  • ENVIRONMENTAL GROUPS CHALLENGE BIDEN ADMINISTRATION’S PREMATURE SUBSIDY OF MINNESOTA TALON METALS NICKEL MINE PROJECT

  • MUSKRAT Magazine is looking for Indigenous folx and allies to review a wide array of exciting Indigenous works!

  • Wachiya Online Store

  • ANDY KIM and TOM WILSON Appointed To The Order Of Canada

  • Ojibway Trumpeter Chuck Copenace Brings A Transformative Sweat-Lodge Melody to New Single “Creator”

  • Call for applications: Fast track the development of your scripted series through NSI Series Incubator

  • BRING THE CHILDREN HOME 2 Rivers Remix Music Feast LIVE at Tk’emlúps te Secwépemc Powwow Arbor July 7, 8 &#; 9

  • MERRITT, BC: A YOUTH GUIDE ON LOCAL BANNOCK, CITY HORSE TRAILS, AND GHOSTS

  • Amik by Sharon King

  • DJ SHUB headlines 2RMX Movable Feast ‘Bring the Children Home’ SPRING TOUR

  • APTN INDIGENOUS DAY LIVE CELEBRATES EMERGING LEADERS

  • From Jennifer Podemski, Hannah Moscovitch, and Jeremy Podeswa, the Crave and APTN Original Drama Series: LITTLE BIRD

  • Marie Clements&#; &#;Bones of Crows&#; free community screenings tour adds new dates in Quebec (including Mont-Sainte-Hilarie, Kahnawake, Waskaganish, Eastmain and more)

  • Indspire announces Indspire Awards recipients and 30th Anniversary celebration

  • Request for Proposal: Indigenous Youth, Art and Water Initiative

  • A LIFE OF SOCIAL JUSTICE ACTIVISM RECOUNTED IN A NEW POETIC MEMOIR BY TWO-SPIRIT METIS ARTIST AND FILMMAKER MARJORIE BEAUCAGE

  • SEVEN INDIGENOUS CANADIAN DESIGNERS TO WATCH

  • Unity coalition set to take Land Back in the Haldimand trac: CALL TO ACTION MAY 5, in Stoney Creek, ON

  • INDIGENOUS GROOVES A CELEBRATION OF INDIGENOUS WOMEN AND NON-BINARY PERFORMERS

  • Scotiabank CONTACT Photography Festival Announces Full Program and Highlights of May Edition

  • Harbourfront Centre Invites Children of All Ages to Experience Curiosity and Adventure at Toronto’s Beloved International Children’s Festival, JUNIOR

  • Sultans of String and Dr.

    Duke Redbird Release New Single &#;Our Mother the Earth&#;

  • New Partnership Commits New Career Pathways for Indigenous Youth

  • Innu concert: Nikamu Mamuitun at Festival de la Voix, April 23

  • Tickets On Sale for Canada’s Largest Indigenous Youth Performance Presented by Outside Looking In

  • The Vancouver Art Gallery Presents The Children Have to Hear Another Story: Alanis Obomsawin

  • Nunavut’s first-ever community foundation launches in Iqaluit

  • Harbourfront Centre Presents the World Premiere of Kaha:wi Dance Theatre’s Powerful and Poetic New Work, Homelands

  • STATEMENT FROM CONFEDERACY OF TREATY NO.

    6 FIRST NATIONS: Response to the Vatican’s announcement regarding the Doctrine of Discovery

  • YPT presents Frozen River – an Award-Winning Tale of Reconciliation Spanning Seven Generations from Manitoba Theatre for Young People

  • From residential school survivor to the Premier of the Northwest Territories, Stephen Kakfwi tells his story in Stoneface: A Defiant Dene

  • New Harm Reduction toolkit aims to reduce opioid deaths for Urban Indigenous people

  • 2 Rivers Remix FREE Indigenous Music Feast coming to snpintktn/Penticton on March 29

  • National Indigenous History Month Call for Artists

  • First-ever Arctic Music Awards &#; Conference to be held in March

  • Native Voices Reframe History in New Grand Canyon Film

  • TUNGASUVVINGAT INUIT GRAND OPENING OF NEW FOOD SECURITY CENTRE

  • HIV in indigenous communities and how self-testing can help

  • First Nations Health Authority and BC Cancer Launch New Cancer Screening Campaign

  • &#;Ajijaak on Turtle Island,&#; a new family musical, at Gerald W.

    Lynch Theater at John Jay College in New York City

  • DOCUMENTARY FEATURE AITAMAAKO’TAMISSKAPI NATOSI: BEFORE THE SUN SET TO WORLD PREMIERE AT BIG SKY &#; NOMINATED FOR BIG SKY AWARD

  • Kelly Fraser’s JUNO-nominated album Sedna Set for Re-Release

  • Knowledge Network and the First Peoples’ Cultural Council Celebrate First Peoples’ Cultural Revitalization in B.C.

  • Northern Reads Campaign &#; Authors Series

  • Red Sky Performance Announces World Premiere Production &#; International Tour of MIIGIS: UNDERWATER PANTHER

  • Salmon n’ Bannock opens at YVR, becomes first Indigenous restaurant in a Canadian airport

  • Tanya Tagaq and Chelsea McMullan’s NFB feature documentary Ever Deadly opens in Canadian theatres starting January 20

  • WRITING IS IN MY BLOOD: WHO INSPIRED ME TO WRITE

  • Introducing the TD Scholarship for Indigenous Peoples

  • Treaty 6, 7, and Federation of Sovereign Indigenous Nations Join to Oppose Alberta Sovereignty Act and Saskatchewan First Act

  • A Lift in Economic Reconciliation For Indigenous Entrepreneurs from Across the Howe Sound Region

  • The Vancouver Art Gallery presents Guud San Glans Robert Davidson: A Line That Bends But Does Not Break

  • TUNGASUVVINGAT INUIT GRAND OPENING OF PERMANENT TORONTO LOCATION

  • ᑐᓴᕐᓂᑐᑦ TUSARNITUT!

    Sheilagh o leary biography of william This article has multiple issues. Water is central to A Sea Change. In the Line of Duty: Ambush in Waco. Singing Back the Buffalo December 17,

    Music Born of the Cold at the Montreal Museum of Fine Arts

  • NEW ESSAY ANTHOLOGY REVEALS PERSONAL HISTORIES OF THE SIXTIES SCOOP

  • Western University opens Wampum Learning Lodge

  • &#;BearPaw U” online Indigenous Legal Education Courses!

  • TUNGASUVVINGAT INUIT HOSTS FIRST-EVER INUIT LED QUEER FRONTED 2SLGBTQ++ DROP IN SPACE

  • 1st First Nations Housing Professionals Assocation (FNHPA) Annual National Conference

  • Manitoba Arts Network Announces Lineup of Multidisciplinary Participants at Annual Conference &#; Manitoba Showcase

  • Winnipeg Indigenous Executive Circle calls on Premier Stefanson and Foundations to trust Indigenous programming to Indigenous-led organizations

  • NEW STORY COLLECTION PRESERVES AND TEACHES OJIBWE LANGUAGE

  • Jules Koostachin&#;s Dramatic Feature BROKEN ANGEL to World Premiere at imagineNATIVE with Director &#; Cast in Attendance

  • National Music Centre Announces Call for Applications for OHSOTO’KINO Recording Bursary

  • Canadian Federation of Library Associations Calls for the Release of all Outstanding Residential School Records

  • Opinion: A mind toward consent will bring us closer to the reconciliation we seek

  • Gary Farmer to Receive August Schellenberg Award of Excellence at imagineNATIVE Film + Media Arts Festival

  • Bill Reid Gallery and the Jewish Museum &#; Archives of BC Explore Lasting Impact of Year-Old Potlatch Recordings in Canadian Premiere of Keeping the Song Alive

  • First Nations Public Library Week

  • VIFF ANNOUNCES 41ST EDITION FESTIVAL LINEUP, INCLUDING GALA PRESENTATIONS AND NEW INTERNATIONAL FILM COMPETITION

  • Make Housing Central Coalition Launches Online Portal Providing Critical Community-Specific Housing Data Ahead of Civic Elections

  • Setting the Stage for Nunavut’s Global Music Exports: Nunavut Music Export Showcase (“NUPOP”) to premiere in Iqaluit on October 1,

  • REMEMBERING THE CHILDREN: APTN AND NCTR HOST NATIONAL LIVE EVENT FROM OTTAWA

  • THE RED DRESS EXHIBIT SEPTEMBER RAISING AWARENESS OF THE CRIMES AGAINST INDIGENOUS WOMEN AND GIRLS, TWO-SPIRIT PEOPLE

  • MUST SEE FILM WINNERS LIST FROM THE MONTREAL FIRST PEOPLES FESTIVAL

  • MONTREAL FIRST PEOPLES FESTIVAL FILMS ARE BACK!

    The Great Movement Film Review

  • AWARDS: Festival International Presence Autochtone / International First Peoples&#; Festival

  • Festival international Présence autochtone &#; Invitation pour le dimanche 14 août

  • MUSKRAT’S PROVOCATIVE SUMMER READ: &#;Heart Berries&#; by Terese Marie Mailhot

  • WHY SOME HIGH SCHOOL STUDENTS ARE CHOOSING NOT TO STAND FOR THE NATIONAL ANTHEM

  • LUMINATO CANCELS ONLY INDIGENOUS-LED CURATORIAL PROGRAMMING THREE DAYS BEFORE FESTIVAL

  • Missing Matoaka: The True Story of Pocahontas

  • MOHAWK ARTIST BRENDT THOMAS DIABO ON WHAT INSPIRES HIM AND WHY SPEAKING UP ON INDIGENOUS REPRESENTATION IS IMPORTANT

  • National Music Centre Announces Buffy Sainte-Marie: Pathfinder Exhibition, Opening on June 3,

  • CURTIS CLEAR SKY &#; THE CONSTELLATIONZ TO OPEN FOR THE WAILERS ON THE HEELS OF NEW SINGLE ‘OUR HOME’

  • NEW INDIGENOUS POETRY ANTHOLOGY IS A DIGITALLY ENHANCED CROSS-CONTINENTAL COLLABORATION

  • The 32nd International First Peoples&#; Festival: August ,

  • Land-based Training Program at Weengushk Film Institute

  • Bill Reid Gallery Exhibition of Northwest Coast Painters Merges Contemporary Expression with Traditional Narrative in Canadian Premiere – True to Place: stímetstexw tel xéltel –

  • WAYFINDING IN THE VORTEX: PART 5

  • 50th Northern Lights Festival releases full lineup with Alabama’s St.

    Paul &#; The Broken Bones, The Weather Station, Born Ruffians, David Laronde, and more

  • INDIGENOUS GROOVES: A NEW SERIES LAUNCHES IN TORONTO, CELEBRATING CONTEMPORARY INDIGENOUS CREATIVITY

  • Indigenous Fashion Arts Announces Runway Lineup for Biennial IFA Festival

  • Native Counselling Services of Alberta releases new resources to support families of Missing and Murdered Indigenous People in Alberta

  • Indigenous Singer /Songwriter Trent Agecoutay, new album &#;A Place To Call Home&#; shines light on Indigenous homelessness

  • Wapanatahk Media’s Dr.

    Savannah: Wild Rose Vet to Launch Across Canada on APTN in May

  • SPEAKER SERIES INVITES NEWCOMER ARTISTS TO LEARN ABOUT INDIGENOUS HISTORY, CULTURE &#; MORE

  • “Living in Indigenous Sovereignty” Poetry Walk on May 7, as part of the Jane’s Walk Festival

  • Bringing the Salmon Home Festival May ,

  • Inuk Singer-Songwriter Susan Aglukark to receive Humanitarian Award Presented by Music Canada at 51st Annual JUNO Awards

  • Beyond Our Roots Festival: Get culturally supersonic over 4 nights this May

  • Harbourfront Centre Presents Ontario Premiere of A&#;nó:wara Dance Theatre&#;s Visually Stunning &#;Sky Dancers&#;

  • aabaakwad to celebrate ‘The Sámi Pavilion’ at the 59th International Art Exhibition of La Biennale di Venezia

  • Call for Applications: WAAC Indigenous Artist-in-Residence

  • Indigenous Fashion Week Toronto Announces New Name and Brand

  • Canada Post Community Foundation accepting grant applications: New $50, Indigenous Truth and Reconciliation Signature Grant introduced

  • Colonize This by Howie Miller New Stand Up Album Out April 15 on Comedy Records

  • FIRST PEOPLES, SHARED STORIES: Submissions now open

  • Tickets on Sale for Annual Showcase Presented by Outside Looking In at Toronto’s Meridian Hall, Thursday, May 12th

  • Rehearsals for Living by Robyn Maynard and Leanne Betasamosake Simpson

  • Remembering Keegan &#; A BC First Nations Case Study Reflection Underscores Impact of Systemic Racism, Endorses the Transformative Changes that Cultural Safety and Humility Can Make in the BC Health Care System

  • Manitoba-Based Folk Duo SPIRIT TRAIL Pay Tribute to the Enduring Power of Standing Rock With “Water Protectors”

  • 8 Booklets on Tools for Indigenous Family Survivors of Violence &#; an annual day of action in Colten Boushie’s memory

  • YOLANDA BONNELL ON HOW WE ARE NEVER TRULY LOST

  • WAYFINDING IN THE VORTEX: PART 4

  • Protected: MUSKRAT MAGAZINE PRESENTS SAUGEEN TAKES ON FILM: ANCESTOR’S GIFTS

  • MUSKRAT MAGAZINE PRESENTS SAUGEEN TAKES ON FILM: HOW FAR WE’VE COME

  • MUSKRAT’S MARCH INDIGENOUS MUSIC MUSTS

  • WAYFINDING IN THE VORTEX: PART 3

  • Protected: MUSKRAT MAGAZINE PRESENTS THE SAUGEEN FILM FESTIVAL: THUNDER ROLLING HOME

  • Special statement from President Chartrand on Louis Riel Day

  • La Guilde presents the exhibition Ashoona: Enduring Art Stories

  • WIFTV ANNOUNCES SELECTIONS FOR THE VANCOUVER INTERNATIONAL WOMEN IN FILM FESTIVAL

  • Critical Frequency Launches Climate Lawsuits Podcast Damages

  • THE OFFICE OF SOCIAL INNOVATION AT RYERSON UNIVERSITY OPENS APPLICATIONS FOR INDIGENOUS ARTIST RESIDENCY

  • Wayfinding in the Vortex: Part 2

  • WIFTV ANNOUNCES NEW PROGRAM FOR UNDERREPRESENTED TV PRODUCERS IN BC

  • NEW CHILDREN’S PICTURE BOOK HELPS PRESERVE AND TEACH ANISHINAABE LANGUAGE

  • New Book raises awareness of ongoing forced and coerced sterilizations in Canada

  • TUNGASUVVINGAT INUIT STATEMENT &#; TRUCKER PROTEST EFFECT ON VULNERABLE COMMUNITY IN DOWNTOWN OTTAWA

  • National Music Centre Announces OHSOTO’KINO, A New Indigenous Programming Initiative Sponsored By TD

  • EMILY STOWE SCHOLAR PROGRAM: SUMMER STUDENT RESEARCH OPPORTUNITIES

  • Media advisory MMIWG walk event &#; Friday, February 11,

  • Wayfinding in the Vortex: Part One

  • ZAINAB AMADAHY WAYFINDING IN THE VORTEX, INDIGENOUS BLACK FUTURISMS AND SPACE FOR CONNECTIONS

  • 60s SCOOP SURVIVOR DETAILS FAILURES OF THE CHILD WELFARE SYSTEM IN NEW ESSAY COLLECTION

  • INDIGENOUS FILM: A YEAR IN REVIEW

  • Indian Affairs Announces New Tool to Bring Attention to Missing and Murdered Cases

  • THE GLOBAL Z RECORDING PROJECT PROVIDES A VIRTUAL OPPORTUNITY FOR INDIGENOUS STUDENT MUSICIANS TO RECORD A SONG, CREATE A MUSIC VIDEO, AND WORK WITH A NAMMY AWARD-WINNING PRODUCER

  • Indigenous-Led Charity works with Land Stewards to Acquire Windhorse Farm and Old Growth Forest

  • MUSKRAT&#;S TOP TEN SONGS OF

  • ‘Tree Protection Zone,’ a Public Art Project on Hart House Commons, Transformed by Indigenous Art

  • MUST HAVE HOLIDAY GIFT IDEAS BY INDIGENOUS TALENT

  • THE KENOSHA SHOOTINGS, AHMAUD ARBERY &#; COLTEN BOUSHIE: WHY WHITE CULTURE VALUES PROPERTY OVER BLACK AND BROWN LIVES

  • US Department of the Interior, Secretary Deb Haaland Takes Action to Remove Derogatory Names from Federal Lands

  • Indigenous art and artists from around the world gather at the AGO for aabaakwad

  • Zee Zee Theatre presents Virtual Humanity: Two Spirit &#; Indigiqueer Futures

  • In Two Falls (Nish Takuakut), discover the harsh wilderness of Canada&#;s 17th century through the eyes of Jeanne and Maikan as they try to survive in a world at the crossroad

  • JULES ARITA KOOSTACHIN’S DRAMATIC FEATURE BROKEN ANGEL GOES TO CAMERA

  • First of Its Kind, Native American Produced Documentary Focused on Language Preservation Launches Crowdfunding Campaign

  • ‘Read Indigenous Narrative’ – Initiative Launches in Hillsdale, Ontario to Share Books with Indigenous Narrative in Little Lending Library

  • INDIGENOUS MUSIC TO GET YOU THROUGH THE NOVEMBER RAIN

  • Black &#; Indigenous Relationships Part 4: Expanding Collective Consciousness

  • Black &#; Indigenous Relationships Part 3: What Makes for Right Relations

  • Call for Applications: Indigenous Artist in Residence, Apply before November 25th,

  • daphne_ Kaia’tanó:ron Dumoulin Bush Moulin à paroles | Iakoteriwatié:ni | Chatterbox

  • imagineNATIVE Film + Media Arts Festival Announces Performances by Classic Roots, Crown Lands, Digging Roots, Kee’ahn, Leanne Betasamosake Simpson, and more

  • Nunavut Pop Girl Dreams Big in New Single “I Wish I Was a King&#;

  • Dr.

    Shirley Cheechoo To Receive August Schellenberg Award of Excellence

  • Rez Rules: My Indictment of Canada&#;s and America&#;s Systemic Racism Against Indigenous People

  • Highly Touted Indigenous Alt-Pop Artist ANYMA To Release Debut EP HUMANS On Oct. 18

  • Reconciliation

  • Reservation Dogs: A Start in Rezpresentation in Television

  • INDIGENOUS FILMS TO GET EXCITED FOR AT TIFF

  • Black &#; Indigenous Relations: Part 2 Traumatized People Traumatize People

  • Black &#; Indigenous Relations Part I: A Threat to the Foundations of Settler Colonialism

  • Forecast perfect for ‘mythic’ Perseid meteor spectacle

  • Treaty #6 Territories of Saskatchewan s THE RECKLESS FAMOUS Say “Goodbye Sorrow”

  • Indigenous Blues Singer/Songwriter DONITA LARGE is “Going To Walk That Line” with New Single

  • INDIGENOUS TORONTO: TANNIS NIELSEN ON THE SIMCOE STREET MURAL

  • INDIGENOUS TORONTO: Jim Dumont on Identity and Spirituality in the City

  • THE CONDOR AND THE EAGLE &#; Film Screening / Discussion / Call to Action

  • Save the Date &#; Honouring Our Languages Conference &#; October 6 &#; 7

  • STUDY SHEDS LIGHT ON CURRENT LEVEL OF REPRESENTATION OF WOMEN, RACIALIZED PERSONS AND INDIGENOUS PEOPLES IN LEADERSHIP ROLES LOCALLY AND PROVINCE-WIDE

  • The Textile Museum of Canada and Toronto Biennial of Art present the exhibition Double Vision: Jessie Oonark, Janet Kigusiuq, and Victoria Mamnguqsualuk

  • Red Market Brand Pursues Economic Reconciliation Through Compliant Cannabis Sales and Reform

  • Indigenous Music Countdown #1 Chart-Topping &#; Nunavut Alt-Rocker Joey Nowyuk Releases “Pray”

  • The GTA&#;s Urban Indigenous People Critical to an Inclusive Economic Recovery

  • WEENGUSHK INTERNATIONAL FILM FESTIVAL ANNOUNCES FILMS

  • “THEY PROTECT THE CATHOLIC CHURCH THAT TRIED TO EXTERMINATE OUR RACE” &#; Colombia’s Repression: A Massacre Against the People

  • RAP NEWCOMER IS A SHARP AND FIERCE VOICE FOR BLACK &#; INDIGENOUS WOMEN OF COLOUR

  • WAG-Qaumajuq celebrates National Indigenous Peoples Day with world premiere of The Lake Winnipeg Project by Kevin Settee

  • Owlkids, 4Canoes, and partner to create special youth magazine for National Indigenous Peoples Day

  • National Action Plan Falls Short of Addressing the Needs of the Most Oppressed: Indigenous Women and Girls with Disabilities

  • Sephora Canada Amplifies Indigenous Voices with its First-ever National Indigenous History Month Campaign

  • NEW CBC PODCAST TELLING OUR TWISTED HISTORIES HOSTED BY KANIEHTI:IO HORN

  • &#;Residential School House Blues&#; by Burnelvis Commemorates All Children and Parents Affected by Canada’s Residential Schools

  • SILLA AND RISE UNMISTAKABLY NORTHERN NEW TRACK: PANDEMONIUM

  • THE KAMLOOPS RESIDENTIAL SCHOOL MASS GRAVE EXPOSES WHO CANADA IS &#; THE WORK AHEAD

  • ANISHINAABE MOTHER &#; MEDIA CREATOR BRINGING TRADITIONAL BIRTH KNOWLEDGE TO NEW DIGITAL PLATFORMS

  • WEENGUSHK INTERNATIONAL FILM FESTIVAL ONLINE EXPERIENCE

  • MAY ND GLOBAL GATHERING ON INDIGENOUS-LED RESPONSES TO COVID PRESENTED BY LEADING CANADIAN RESEARCH TEAM

  • MUSKRAT&#;S FEATURE ARTIST ZEEGWON SHILLING COMPETING IN CBC MUSIC&#;S TOYOTA SEARCHLIGHT TALENT

  • PODCAST INTERVIEW WITH FILMMAKER COURTNEY MONTOUR ON MARY TWO-AXE EARLEY’S HISTORICAL FIGHT FOR INDIGENOUS WOMEN’S RIGHTS

  • Josiah Wilson on Healing from Racial Discrimination in One of Ours

  • Vancouver poet shortlisted for Indigenous Voices Awards

  • Bringing the Salmon Home Festival May ,

  • Indigenous Languages Series, To Help Educate About Indigenous Culture And Preserve Endangered Languages

  • Vancouver Rapper Neon Empty Releases Powerful New Single RED LIVES DON&#;T

  • Madisyn Whajne Shares Video &#;Save My Heart&#; | Debut Album Out Now

  • First Nations urge court to throw out Ontario&#;s appeal of Robinson-Huron Annuities Case Robinson-Huron

  • Elle-Máijá Tailfeathers on the Opioid Epidemic That is the Focus of her Film Kímmapiiyipitssini: The Meaning of Empathy

  • TANYA TALAGA ON HER FILM SPIRIT TO SOAR, DEBUTING AT HOT DOCS ‘21

  • MUSKRAT’S FEATURE ARTIST: TARA WILLIAMSON ON DECOLONIZING THE MEANING OF LOVE

  • G.R.

    Gritt &#;Ancestors&#; Out Today Via Coax Records

  • Indigenous People are a High Priority to Receive COVID Vaccinations, Here&#;s Why

  • CREATIVITY MEETS TECH

  • Canadian women leaders send an open letter to the Honourable Chrystia Freeland, Minister of Finance

  • JANOME CANADA TO HELP CREATE SEWING SKILLS LABS IN REMOTE COMMUNITIES

  • SEEKING ARTISTS: CSRS Indigenous Arts and Research Fellowship

  • A LOOK BACK: Indigenous Fashion Week Toronto

  • DR.

    SHERYL LIGHTFOOT: THE FIRST INDIGENOUS WOMAN FROM CANADA APPOINTED TO UNITED NATIONS EMRIP

  • It’s a Mitig by Bridget George

  • Harbourfront Centre Celebrates 20th Anniversary of Indigenous Art Innovators Red Sky Performance with Digital Dance Film – More Than Dance, We Are A Movement –

  • Apply now to CBC New Indigenous Voices to build your media career

  • ORIGIN, UBER, CCAB release Share Your Roots VR Competition

  • Lofttan Indigenous female owned company launches Spring BlingBOX

  • MusiCounts Announces Contemporary Indigenous Music Classroom Resource

  • Stunning picture book “We Dream Medicine Dreams” a gentle exploration of death for children

  • Announcing the third Second Story Press contest for unpublished works for young people by Indigenous writers.

  • REMARKABLE INDIGENOUS WOMEN IN THE ARTS HONOURED ACROSS CANADA

  • INDIGENOUS WOMEN MUSICIANS SLAYING IT ON INTERNATIONAL WOMEN’S DAY (&#; EVERY OTHER DAY)

  • ACCLAIMED ACTOR CARMEN MOORE ON RUSTIC ORACLE, MMIWG, WHAT’S CHANGED IN THE SCREEN INDUSTRY

  • MAMISARVIK HEALING CENTRE – INUIT WELLNESS AND RESILIENCE DURING A PANDEMIC

  • : &#;13Moons 13Reads&#; Series for all ages

  • Appointment of the Ninth Parliamentary Poet Laureate: Louise Bernice Halfe (Sky Dancer)

  • New Inuktitut Love Anthem Released on Valentine’s Day

  • New Single &#;Solidarity&#; from Joshua Arden Miller

  • sākihiwē music Thursdays expands its reach with radio for Safe At Home Manitoba

  • Asinabka Festival &#; Call for Submissions

  • NADJIWAN&#;S &#;REBOUND GIRL&#; SINGLE, IN HONOUR OF KELLY FRASER

  • A Māori Opinion: WHY INDIGENOUS CANADIANS LIVES DIDN’T MATTER TO MICHELLE LATIMER

  • AYA Optical’s New Capsule Features Iconic Indigenous Artwork By Ojibwe artist Donald Chretien and Is Named for Dr.

    Bonnie Henry and Adrian Dix

  • Province expands Ontario Student Assistance Program at Indigenous Institutes

  • Indigenous Businesses Now Eligible to Create a FREE Store on

  • : Upcoming 13 Moons 13 Reads Video Web Series

  • Goldrock Press Publishes New Indigenous Children&#;s Book, &#;Nîpin&#; by Cam Robertson

  • ACTRA Toronto Names Jani Lauzon its Award of Excellence Recipient

  • Women’s March Global launches global poll for women’s rights as in-person marches are put on hold

  • Uvagut TV Breaks Ground as Canada’s First Inuit-Language TV Channel

  • Collaboration to Explore Reconciliation Initiatives

  • New Single from Adrian Sutherland: Respect the Gift

  • Mitacs launches new innovation opportunity for Indigenous students and businesses

  • Hot Lips Video Premiere &#; January 21,

  • Taming the Wétiko Virus:

  • HOLDING ARTISTS ACCOUNTABLE IS NOT “LATERAL VIOLENCE”

  • MMF Unveils New Mental Health Wellness Support Line for Métis Citizens

  • Madisyn Whajne Releases &#;Save Our Hearts&#;

  • Call for World Healing enters sixth month | DEC 20, 12AM

  • INDIGENOUS HOLIDAY GIFT IDEAS OF

  • IndigenARTSY

  • Mattinaway Chakasim

  • JUNO AWARD WINNER G.R.

    GRITT SHARES “QUIET YEARS” TAKEN FROM FORTHCOMING LP ANCESTORS

  • BC Association of Aboriginal Friendship Centres Releases ‘Urban Indigenous Wellness Report: A BC Friendship Centre Perspective’

  • CREATIVES EMPOWERED OFFICIALLY LAUNCHES!

  • Canadian Aboriginal AIDS Network Showcases Shared Responsibility This Aboriginal AIDS Awareness Week

  • Honour Song: Episode 3 shines a spotlight on Salluit, Aklavik today

  • Virtual conference to highlight Indigenous responses to COVID in the context of viral hepatitis

  • The Connected Music Series to showcase Black, Indigenous and South Asian artists in culturally significant spaces across Canada

  • End Homelessness Winnipeg announces funds for winter outreach and drop-in services, new Call for Applications and Winter Weather Plan

  • Introducing Honour Song w/ Susan Aglukark, William Prince, and more

  • Michael Shares &#;Candy Store (Jeremy Parkin Reprise)&#; | Companion Album &#;The Winter of Our Discotheque (Reprise)&#; out Dec 4th

  • RUSTIC ORACLE, AWARD-WINNING CANADIAN FEATURE BY FIRST NATIONS FILMMAKER SONIA BONSPILLE BOILEAU, REVEALS HUMAN TOLL OF MISSING AND MURDERED INDIGENOUS WOMEN AND GIRLS (MMIWG)

  • imagineNATIVE Film + Media Arts Festival Announces Festival Award Winners

  • Students help break down barriers to justice

  • Ulnooweg Indigenous Communities Foundation and Mastercard Foundation Form Partnership to Empower Indigenous Youth

  • YOUNG PEOPLE’S THEATRE PREMIERES NEW STORYTELLING VIDEO SERIES

  • Tantoo Cardinal, Ilona Verley, Lorne Cardinal at imagineNATIVE

  • Ontario Recognizes Indigenous Marriage Ceremonies

  • NICK SHERMAN ON STORIES, SONG, AND RACISM IN THUNDER BAY

  • INTERVIEW WITH SANDRA LARONDE ON FLOW: A BEAUTIFUL STREAMING COLLABORATION IN A POLITICAL LANDSCAPE

  • AGO Zooms into classrooms with free virtual art education for students in JK to Grade 12

  • TUNGASUVVINGAT INUIT (TI) PARTNERS WITH NTI TO DISTRIBUTE COUNTRY FOOD TO URBAN INUIT IN ONTARIO.

  • Startup &#; Slay 2nd Edition Digital Series Launches With 8 Diverse Canadian Women and Non-Binary Entrepreneurs

  • STEVIE SALAS ON THE WATER WALKER WITH INSPIRING YOUTH AUTUMN PELTIER

  • SHAWNEE ON AWAKENING HER TWO-SPIRITED IDENTITY

  • Justices of the Peace Appointments Advisory Committee (JPAAC) Inviting Applications

  • Young People’s Theatre Launches NEW Online Fall Drama Classes for Toddlers to Youth

  • Complimentary Resource for the upcoming Orange Shirt Day September 30th + NEW eBook Site from GoodMinds!

  • Digawolf Releases New Single &#;The Broken Returns&#; | Shares details of new album

  • Madisyn Whajne Reveals &#;Killing Desire&#; | &#;Save Our Hearts&#; Out Nov 18th

  • CINDY BLACKSTOCK &#; iskwē EXAMINE COLONIAL VIOLENCE ON INDIGENOUS YOUTH

  • CHERYL L’HIRONDELLE &#; LACEY HILL ON APTN’S NEWEST SHOW: AMPLIFY

  • INDIGENOUS FASHION WEEK TORONTO (IFWTO) MOVES EDITION ONLINE NOVEMBER 26 &#; 29,

  • WATCH THE TRAILER: AMPLIFY Original APTN Series starring Indigenous singer-songwriters to air Friday, Sept.

    11th

  • INTERVIEW WITH FILMMAKER MICHELLE LATIMER ON THE INCONVENIENT INDIAN: THE DOCUMENTARY

  • ACADEMY RELEASES NEXT CONVERSATION IN “DIALOGUES” SERIES ON RACE AND GENDER EQUITY IN FILMMAKING

  • GRACE DOVE’S DIRECTORIAL DEBUT KIRI AND THE DEAD GIRL GOES TO CAMERA IN BC

  • VANCE BANZO NEW GENERATION STAND-UP COMEDIAN AT THE GCHI DEWIN FESTIVAL

  • Four Indigenous Scholars Gauge Progress in Respecting Culture, Scholarship

  • New Kanien’kéha Song Books for Babies

  • 2 Rivers Remix Society, Full Circle: First Nations’ Performance, Savage Production Society &#; Vines Art Festival

  • JOIN MEMBERS OF THE NORTHWEST TERRITORIES’ DENE NATION ON A HISTORIC AND HEALING KM MOOSE-SKIN BOAT TRIP IN NAHANNI RIVER OF FORGIVENESS, SUNDAY, AUGUST 9 on documentary CHANNEL

  • WEENGUSHK INTERNATIONAL FILM FESTIVAL ANNOUNCES ONLINE PROGRAMMING

  • The Queer Arts Festival WICKED — Invasion of the Digi-Queers!

  • Métis Nation – Saskatchewan teams with five school boards to offer Michif Early Learning Pilot Project (MELPP)

  • Kaha:wi Dance Theatre is Celebrating 15th Anniversary

  • ULNOOWEG ANNOUNCES NEW SUPPORT FOR INDIGENOUS ENTREPRENEURS IMPACTED BY COVID

  • MUSKRAT SPEAKING TO KIDS ON WHITE SUPREMACY AND SYSTEMIC RACISM #Black+IndigenousLivesMatter

  • WEENGUSHK INTERNATIONAL FILM FESTIVAL MOVES ONLINE

  • what is hanky panky, what if hanky panky

  • Queering the North: Inuksuk High School’s Pride Week

  • Complimentary Indigenous Education Activity Journal Now Available from GoodMinds!

  • RED ROVER &#; Available on Digital and OnDemand NOW

  • THE INDIGENOUS INNOVATION INITIATIVE LAUNCHES INAUGURAL PROGRAM

  • Available May 8, &#;I Fell In Love&#; The new single by Rosary Spence

  • The second season of APTN’s kids’ series, Anaana’s Tent, celebrates Inuit identity and the Inuktitut language.

  • Tungasuvvingat Inuit Launches Inuksuk Campaign in Support of Urban Inuit Youth

  • HAIDA MODERN: The Art and Activism of Robert Davidson

  • Documentary About Waseskun Healing Centre among Five New Releases on in May

  • TKARONTO MUSIC FESTIVAL MAKES ITS DEBUT ONLINE

  • SASSY, BAD-ASSY, YET CLASSY: INDIGENOUS STAND-UP COMEDIAN STEPHANIE PANGOWISH

  • WHAT I’VE SEEN

  • WINNERS OF THE BLUE METROPOLIS AWARDS FOR EXCELLENCE IN INDIGENOUS STUDIES

  • Eleven Indigenous Film Projects Receive Development Funding from Telefilm Canada

  • COVID Update on Family Violence Shelters in Manitoba

  • Comedy Records presents Treaty 1 and Only Stand Up Comedy Compilation Album

  • Bebe Buckskin Shares &#;Muskeg Blues&#; &#; &#;Asiskiy&#; EP Out May 22nd

  • Ontario Government Approves Six Nations Polytechnic as First Indigenous Institute to Deliver Apprenticeship Training

  • EAGLE VISION ANNOUNCES PART SERIES TAKEN THE PODCAST NOW AVAILABLE

  • ZEEGWON SHILLING PERFORMS AT THE GCHI DEWIN FESTIVAL

  • INDIGENOUS HUMOUR AND HUMANITY: COVID SOCIAL MEDIA ROUND-UP

  • Don’t leave older Canadians behind in COVID preparedness, says Canadian Frailty Network

  • New virtual tour of Canadian Museum for Human Rights

  • My Reading with Mi’kmaq Medium and Spirit Talker Shawn Leonard

  • NADJIWAN

  • Native Art Department International: Bureau of Aesthetics | Opening Reception: Friday, 13 March

  • Researchers solve mystery of Tuvan throat singing

  • $1, BLUE METROPOLIS AWARDS FOR EXCELLENCE IN INDIGENOUS STUDIES

  • Tamara Podemski to Host 13th Annual Outside Looking In Gala, May 6 at Toronto’s Meridian Hall

  • Iconic Indigenous Musician and Activist Buffy Sainte-Marie To Receive 10th Annual Allan Slaight Humanitarian Spirit Award

  • BOOK REVIEW: Lisa Boivin’s &#;I Will See You Again&#;

  • Being With The Land, Protects the Land – Leanne Betasamosake Simpson

  • CANADA COUNCIL FOR THE ARTS RENEWING CULTURAL DIPLOMACY

  • Book Review: Innu Poet Maya Cousineau-Mollen

  • Lighting the 7th Fire at the Gchi Dewin Indigenous Storytelling Festival

  • REVIEW: Smudge, Don’t Judge, Assisting Two Spirit/Trans Survivors of Violence

  • TEEN PERFORMER ZEEGWON SHILLING ON HIS LOVE OF MUSIC

  • Review: Douglas Walbourne-Gough’s &#;Crow Gulch&#;

  • World’s Longest Hockey Game Announces Recruitment Day

  • Pacific Opera Tours New Opera About Missing and Murdered Indigenous Women

  • Wanuskewin Gallery is proud to present the work of Edmonton-based Metis artist Heather Shillinglaw, Whiskey Scrip, from October December

  • The Hnatyshyn Foundation announces $75, in awards for Canada’s visual artists and curators

  • WHOOP-SZO REMEMBER “GERRY” IN NEW VIDEO

  • Adrian Sutherland’s Debut Single, Politician Man: A Protest Song for Canada

  • A TAINO DESCENDANT SPEAKS ON COLUMBUS

  • Encounters at the “Edge of the Woods” Review

  • Seneca&#;s Odeyto building wins Toronto Urban Design Award

  • Toronto International Festival of Authors Celebrates 40 Years with Page-Turning Programming

  • La Guilde presents the first Montreal exhibition exclusive to artists from Nunatsiavut

  • imagineNATIVE Film + Media Arts Festival Announces Full Programming for 20th Anniversary Festival October ,

  • Young People&#;s Theatre Presents Toronto Premiere of &#;The Mush Hole&#; Honouring the Survivors of Canada’s Residential School System

  • Nature Unbound: Textile Museum of Canada presents Wild

  • Planet in Focus International Environmental Film Festival Announces Eco-Heroes and Rob Stewart Youth Eco-Hero

  • The Incredible 25th Year of Mitzi Bearclaw: Set to screen at the Reelworld Film Festival

  • Production Underway on BEANS, Directed by Tracey Deer

  • KICKS OFF SEASON &#; ACTOR TOM JACKSON JOINS THE SOCIETY

  • REVIEW &#; THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN

  • KUESSIPAN IS STUNNINGLY POETIC &#; ROOTED IN REALISM

  • ALANIS OBOMSAWIN ON LISTENING TO THE MESSENGER, JORDAN’S PRINCIPLE AND WHY WE MUST NEVER GIVE-UP

  • Carl Beam: One Who is Brave-Hearted at Beaverbrook Gallery

  • Book Review: &#;Inquiries&#; by Métis Poet Michelle Porter

  • Ontario Culture Days Announces 10th Anniversary Edition with Kaleidoscope of Cultural Activities and Events

  • A fifty-year old controversy comes to a head in THE MILL airing August 29 on CBC DOCS POV

  • New book from UAlberta Press / The Man Who Lived with a Giant

  • Making Treaty 7 PRIDE Events &#; Featuring Calgary’s FIRST EVER Indigenous Drag Show

  • ArtsCan Circle Music Video: “Faces of the North” a collaboration with students from Vezina Secondary in Attawapiskat

  • DISCOVERING PEOPLE: ENGLISH * FRENCH * CREE: AVAILABLE OCTOBER

  • Urban Shaman&#;s 2nd Santa Fe Satellite Gallery show Opens August 14, Featuring Artist Kent Monkman

  • CALLING ALL INDIGENOUS ARTISTS: Indigenous Health Initiative Logo Design Contest

  • NORTHWOOD ENTERTAINMENT PARTNERS WITH CANADALAND ON ‘THUNDER BAY’ TV SERIES

  • Lyla June on Resistance and Forgiveness in the Final Years of Patriarchy

  • Indigenous Mentoring Day &#; September 25,

  • Black Belt Eagle Scout Announces New Album, At the Party With My Brown Friends, Out August 30th on Saddle Creek

  • COMPELLING WINNERS AT THE MONTREAL FIRST PEOPLES FESTIVAL

  • THE APPLICATION DEADLINE FOR THE SIXTIES SCOOP CLASS ACTION IS AUGUST 30,

  • TUSCARORA FILMMAKER JON ELLIOTT: NO STORIES ABOUT US WITHOUT US

  • DON&#;T MISS THE ALANIS OBOMSAWIN EXHIBITION AT THE MMFA

  • CALL FOR APPLICANTS: INDIGENOUS ARTISTS IN RESIDENCE

  • THE MONTREAL FIRST PEOPLES FESTIVAL PREMIERES NEHIROWISDIGITAL BY MEKY OTTAWA

  • ACTRESS CARA GEE ON FOOL FOR LOVE &#; PORTRAYING INDIGENOUS WOMEN ON SCREEN &#; IN THEATRE

  • La Guilde presents the exhibition Nehirowisidigital by emerging artist Meky Ottawa

  • FOUNDER OF WALKING EAGLE NEWS, TIM FONTAINE ON BECOMING A PRETEND JOURNALIST

  • The suicide crisis in Uashat Mak Mani-Utenam community: The need for a remediation strategy



  • NISHNAABEMDAA NOONGO: SUMMER TIME NISHNESS

  • UNDERSERVED INUIT IN ONTARIO CONTINUE TO BE MARGINALIZED

  • NISHNAABENDAA NOONGO: MUSKY GOES TO TOWN

  • Hill Agency on Kickstarter: The Next Wave of Indigenous Video Games Starts Now

  • IndigenousNOW website launches to serve artists and GTA audiences

  • Indigenous Futurisms Compel Superheroes, Infiltrate Indigi-Con, and Inspire A Young Inuk Named Amka Aliyak

  • Aboriginal Awareness Week Calgary (AAWC) hosts Family Day Festival and Powwow in honor of National Indigenous Day on June 21st in partnership with Aboriginal Television Peoples Network (APTN)

  • Indigenous Garden Removed from Humber River Banks by City of Toronto Workers

  • Barb Cranmer—T&#;ɬakwagilogwa ‘Copper Woman’

  • sākihiwē festival lineup, June 14 &#; 16 in Winnipeg

  • Canada’s premiere songwriters gather at Northern Lights, July

  • National Music Centre announces Indigenous Music Week at Studio Bell, June 19 to 22

  • PREMIERE: ALANIS OBOMSAWIN, PRINTMAKER An Artist and her Nation: The Waban-Aki Basketmakers of Odanak

  • MMF Joins Manitoba Museum in Unveiling Exhibit to Commemorate The Tragic Story of the Métis Citizens of Ste.

    Madeleine

  • Algoma University Archives Receives Virtual Museum of Canada Grant for Shingwauk Residential School Centre

  • Lewis Debassige Memorial Education Fund

  • CARVING SPACE FOR INDIGENOUS, BLACK, AND 2-SPIRITS IN THEATRE CLASSIC: LILIES: OR THE REVIVAL OF A ROMANTIC DRAMA

  • Rebecca Belmore and Osvaldo Yero are the Recipients of the Hart House Centennial Commission at the University of Toronto

  • DOC Announces Free Membership for Indigenous Filmmakers

  • [shooger-koht-ed] / ZiizibaakwadAgoke / Ésíwinikátéki

  • La Guilde presents Beading Now!, a contemporary beading exhibition, from May 16 to July 21,

  • Comedian Candy Palmater and Toronto Raptor’s In-Arena Host Mark Strong Emcee 12th Annual Indigenous Youth Dance Shows Presented by Outside Looking In

  • NINE HAIDA ELDERS RECEIVE VIU’S MOST PRESTIGIOUS AWARD FOR LANGUAGE AND CULTURE PRESERVATION

  • Isuma presents new project: Silakut Live from the Floe Edge

  • You Are Enough: Love Poems for the End of the World by Smokii Sumac (Ktunaxa)

  • Taking Care of Our Land Symposium

  • Mimi O&#;Bonsawin

  • The Cost of Colten Boushie’s Death in Tasha Hubbard’s Nîpawistamâsowin: We Will Stand Up

  • BLUE METROPOLIS CELEBRATES WINNERS OF STUDENT ESSAY-WRITING COMPETITION FROM NEW BRUNSWICK AND QUEBEC

  • First Nations Education Foundation (FNEF) releases new video entitled “Victory Song” chronicling recent work on the Language Revitalization Pole

  • Gizhe Waa Ti-Sii-Win Service Delivery Expo: May 13,

  • NFB and POV Spark seek bold voices and creative visions for new Instagram Stories series, Otherly

  • Indigenous artist and Museum make history with unique agreement for artwork of national importance

  • BLUE METROPOLIS CELEBRATES INDIGENOUS VOICES AND LITERATURES INCLUDING ITS FIRST PEOPLES LITERARY PRIZE, STUDENT ESSAY WRITING COMPETITION AND CHILDREN&#;S FESTIVAL

  • Landscape of Nations ° launches Phase Two: Professional Development Teacher Training Program

  • ‘THE GRIZZLIES’ THEATRICAL DEBUT WITH PAUL NUTARARIAQ AND ANNA LAMBE

  • ART NAPOLEON TRIES BULL TESTICLES, BARBECUED RACCOON AND THE NEW CANADIAN FOOD GUIDE

  • JEREMY DUTCHER ON CLIMATE CHANGE, TWO-SPIRITS, AND THE INDIGENOUS CULTURAL RENAISSANCE

  • COMING MAY | Stories from the Magic Canoe of Wa&#;xaid

  • INDIGENOUS HEALTH CARE ASSISTANT PROGRAM CHANGING LIVES

  • International Indigenous languages conference, organized by and for Indigenous people, set for June in British Columbia

  • Summer lineup to include: Sam Roberts Band, William Prince, Safia Nolin + more

  • First Nations Education Foundation (FNEF) posts Online Video Documenting Language Revitalization Pole Naming Ceremony

  • Me, You &#; Us Explores the Human Spirit

  • Official launch of the International Year of Indigenous Languages

  • The “Reconciliation” Issue Call for Writers

  • Announcing a New Professional First Nations Housing Association

  • MUST WATCH INDIGENOUS WOMEN, TWO-SPIRITS, AND NON BINARY ARTISTS TAKING OVER FASHION AND DESIGN

  • TWO SPIRIT MAN/TWO SPIRIT WOMAN CALL HOME THE SALMON WITH HELP

  • The Incredible 25th Year of Mitzi Bearclaw to Have World Premiere at Art Gallery of Ontario

  • Moosemeat &#; Marmalade Cooks Up New Flavours for its Season Four Premiere Airing on APTN on February 7th

  • 60’S SCOOP SURVIVOR CAROL ROSE DANIELS FINDS BELONGING IN THE POETIC

  • &#;TRANSFORMERS: THE MOVIE.&#; CLAYTON WINDATT ON COMING OF AGE IN &#; OTHER SUCH &#;HEROIC NONSENSE&#;

  • RALLIES PLANNED INTERNATIONALLY IN SUPPORT OF WET’SUWET’EN AND DENOUNCE STATE VIOLENCE ON UNCEDED TERRITORY

  • 16 Ways to Practice Decolonial Self-Love

  • NISHNAABEMDAA NOONGO: WHAT TIME OF THE DAY IS IT?

  • NISHNAABEMDAA NOONGO: SEEING PEOPLE IN OJIBWAY

  • 10 INDIGENOUS ARTISTS THAT INSPIRE GIFT-GIVING

  • MANOOMIN WILD RICER JAMES WHETUNG ON WHAT IT WILL TAKE FOR THE REVITALIZATION OF HEALTH IN OUR COMMUNITIES

  • NISHNAABEMDAA NOONGO: COUNTING AND OJIBWAY MOONS

  • Algoma U, Shingwauk Education Trust and Shingwauk Kinoomaage Gamig Reaffirm Covenant

  • NATIVE WOMEN&#;S ASSOCIATION OF CANADA ANNOUNCES NEW LGBTQ2S+ UNIT

  • NATIVE WOMEN&#;S ASSOCIATION OF CANADA MEETS EUROPEAN PARLIAMENT SUBCOMMITTEE ON HUMAN RIGHTS

  • JUNO Award Nominee Don Amero Headlines Amero Little Christmas Tour

  • Infinity Women Secretariat Announces Prosperity Through Innovation

  • UNEARTHING SECRETS, GATHERING TRUTHS &#; BROKEN POETRY

  • MAKING THEIR TKARANTO DEBUT &#; THE FABULOUS BLACK DIVAZ OF AUSTRALIA

  • 4th Annual Indigenous &#; Ingenious Show &#; Sale: November 17 &#; 18,

  • Planet in Focus International Environmental Film Festival unveils film lineup for edition

  • Tangled Art + Disability announces the second exhibition of the FLOURISHING series, FLOURISHING: SOMEWHERE WE STAY AUTHENTIC

  • Grand Council Treaty #3 stands up for Indigenous youths in health curriculum litigation

  • A WORLD PREMIERE FROM ONE OF CANADA’S FOREMOST CONTEMPORARY DANCE COMPANIES: TRACE

  • The 19th Annual imagineNATIVE Film + Media Arts Festival Announces Festival Award Winners

  • Biidaaban First Light: Seeing with Renewed Eyes

  • SGAAWAY K’UUNA &#; BRINGING THE GAAGIIXID TO THE BIG SCREEN

  • Whose Home and Native Land

  • Review: You Will Wear A White Shirt

  • Nishnawbe Aski Nation and Ryerson University’s Together Design Lab launch collaborative housing partnership

  • First Nations Public Library Week, “The Future of First Nation Public Libraries” October 1 – 7,

  • imagineNATIVE Film + Media Arts Festival Announces Festival Program, Including Works By Zacharias Kunuk, Marjorie Beaucage and Darlene Naponse

  • Voices With Impact: Short Film Grant, Mental Health Experiences Within Indigenous, First Nations, and Native American Communities

  • Algoma U Signs National Agreement in Whitehorse University to Offer Akii &#; Environmental Stewardship Certificate

  • First Nations Elders, advisors co-create exhibit on Indian Act with CMHR

  • Textile Museum of Canada presents Beads, they’re sewn so tight, an exhibition of contemporary beadworks by four Indigenous artists

  • THE AVATAQ CULTURAL INSTITUTE AND THE MONTREAL MUSEUM OF FINE ARTS JOIN HANDS TO PROMOTE INUIT ART AND CULTURE

  • Welcoming in Womanhood with Moon Time Prayer

  • IT’S COOL TO KORERO

  • Indigenous cancer awareness centre helping to bridge the gap between mainstream healthcare and First Nations health centres

  • Curve Lake First Nation aims to set new standards for First Nation Archaeology field liaisons with unique training program

  • A NEW EVOLUTION BY DON AMERO AND WHAT “LIVE WHILE I’M ALIVE” MEANS TO HIM

  • TANTOO CARDINAL ON TAKING TIFF BY STORM AND BECOMING A MEMBER OF THE OSCARS ACADEMY

  • VIU SUPPORTED BUSINESS PROGRAM INSPIRES INDIGENOUS YOUTH

  • Indigenous Elders Block Kinder Morgan Construction for Hours, Face 14 Days in Jail