Jotaro saito biography of abraham

A trip around Asia is required to tell the story of one of the world's most famous styles - the kimono.

Time after time, the shape of the kimono has become more and more raffinate and complicated, in search of perfection and elegance.

The origin of the garment that we know as the kimono dates back to the Nara Period of Japan () with a garment called a kosode (small sleeves).

During the 18^th century, the garment became more similar to the recent shape.

But what about the modern kimono?

Nowadays, it is less commonly used.

Jotaro saito biography of abraham lincoln Rather than keeping them in storage until a special occasion, Saito wants young Japanese to think of kimonos as an option for going to work during the week, or shopping on weekends. Using the standard Kimono form, Saito imbues a number of different patterns, color schemes, and modern flairs to each design, creating a series of Kimonos that have pushed the boundaries of the art form. Taichi Saotome. His grandfather was a dye artist and his father was a kimono designer.

However, even the short-term visitor to Japan is likely to see at least one of these elegant garments during their stay

Japan's most famous traditional costume is an icon for everybody and the most famous artist who spent his life renovating the tradition of the kimono is  Jotaro Saito.

Jotaro Saito is descended from an artistic family in Kyoto, from whom Jotaro learned and developed his skills as a modern dye artist.

His late grandfather was one such artist, Saizaburo Saito, and his father is Sansai Saito, a modern kimono designer.

Since his debut, Jotaro Saito has pursued “kimono as fashion matched with modern space”. Time after time, Saito has demonstrated his talent in fields ranging from the production of various products to the design of interiors, proposing “a lifestyle with which to enjoy Japaneseness”.

He is a regular member of the Council for Fashion Designers, Tokyo.

Here is a resume of his amazing carreer.

　Launched “OTIAS,” a ladies’ prêt-à-porter brand.

　Participated in the Tokyo Collection as “OTIAS”; made his debut as a kimono designer.

　Held the first exhibition “JOTARO SAITO: SOLO EXHIBITION.”

　Held the second exhibition “JOTARO SAITO: KIMONO EXHIBITION.”

　Held the third exhibition “JOTARO SAITO: EVOLUTION OF KIMONO.”

　Held the fourth exhibition “JOTARO SAITO: COLOR MOOD.”

　Held the fifth exhibition “JOTARO SAITO: PRINCIPLES OF ATTRACTION.”

　Released the collection “NEWNESS IN TRADITION” in the Tokyo Collection.

　Released the collection “KIMONO DYNAMISM” in the Tokyo Collection.

　Released the collection “AKAI KIMONO” in the Tokyo Collection.

　Released the collection “RIKYU” in the Tokyo Collection; participated in the first “% Design Tokyo” event; released Kyoto lacquer ware and products for interiors.

Oct.　Participated in the second “% Design Tokyo”; released products such as lighting fixtures and shoes.

Jan.　Released furniture products in collaboration with Eiri Iwakura, an interior designer.

Mar.　Released the collection “HYAKU NEZUMI” as part of the Tokyo Collection.

Mar.　Released the collection “GOTHIC CAMELLIA” as part of the Tokyo Collection.

Oct.　Released the original au mobile phone case, and the strap in collaboration with BONNIE PINK.

Oct.　Released the ceramics line “Japanesque II” in collaboration with Wedgwood

Mar.　Released the collection “The Marbling” as part of the Tokyo Collection.

Nov.　Opened the first concept shop along the Keyakizaka-dori street in Roppongi Hills.

Nov.　Released a new collection of the furniture series “Len-yu”, which is the brand in collaboration with KARIMOKU Inc.

Mar.　Released the collection "Seifu Meigetsu x Suigetsu Kyouka" in the Tokyo Collection.

Apr.　Work on stage costume for the period drama “NEMURI KYOUSHIROU BURAI HIKAE” starring GACKT (nationwide performance starts in Tokyo in May and will play in 7 cities total)

Jun.　Work on stage costume for Mr.

Taichi Saotome (nationwide performance starts in Tokyo in June)

Sep.　Redesign and opening of Hakuho-kan banquet hall at Happo-en Japanese garden through collaboration of three designers including Jotaro Saito.

Apr.　Released the furniture products “KAEN” and “NAGARE” in collaboration with KARIMOKU Inc. at the international trade fair “Milano Salone”.

Apr.　Work on stage costume for the drama starring Mr.

Taichi Saotome. (at Meijiza Theater from April 7 to April 28)

May 　PS Communications Inc. released “Hot Telegram: Embroidery Shikunshimon” produced by JOTARO SAITO

Jun.　Released the collection “+STRIPE” in the Tokyo Collection.

Mar.　Released the collection “FUTURISM” in the Tokyo Collection.

Oct.　PS Communications Inc.

released “Hot Telegram: Monochrome peony” produced by JOTARO SAITO.

Mar.　Released the collection “DRESS people Immutable Fashion” in the Tokyo Collection.

Jul.　Released the original designed yukata (summer cotton kimono) and tenugui (thin hand towel) for “Kankoboko Float” at the Kyoto Gion Festival.

Oct.　Released the collection “THE HERITAGE” in the KIMONO SALONE Tokyo Kimono Collection.

Mar.

Released the Tokyo collection “POWER OF FLOWER”.

Oct. Released the Tokyo collection “KIMONO STYLE 2SOULS COLLECTION”.

Mar. Released the Tokyo collection “DARK FAIRYTALE”.

Jotaro Saito has been showcasing his kimono brand at Mercedes-Benz Fashion Week Tokyo since

“It’s in my blood,” Saito says.

“I represent the third generation of kimono makers in my family, and we have always worked more like designers than shokunin craftspeople.

Biography of isaac PS Communications Inc. Rather than keeping them in storage until a special occasion, Saito wants young Japanese to think of kimonos as an option for going to work during the week, or shopping on weekends. Click to enlarge image. Using the standard Kimono form, Saito imbues a number of different patterns, color schemes, and modern flairs to each design, creating a series of Kimonos that have pushed the boundaries of the art form.

In the kimono world, our family was always viewed as innovators for presenting kimono as fashion, and I think that is why when I was learning my craft in my 20s, the people around me and sales staff who sold my work encouraged me to make my debut as a kimono maker early. Usually you would have to wait until your 40s or 50s to make your official debut having inherited your family’s techniques, but I did so at That is a rarity — even now.”

The evolution of his art has produced a renovated garment that brings an image of sophisticated elegance.

Young Japanese are used to wearing Saito’s kimonos to the most glamorous events, even though they are not strictly traditional.

“I used to start with a classical base, but as a youth I found the realism of the style dull, so instead of, say, drawing sakura (cherry blossom) pink, I would highlight them in blue; take the form and give it an interesting twist,” Saito says.

“That is why I call myself a designer, not a craftsman who just repeats the same technique over and over.”

Throughout his career, Saito has been conscious of his place in history and the responsibility he has to his country’s fashion culture.

“You have to remember that the history of wearing Western clothes in Japan is far shorter than our lengthy history with kimono,” he says.

Jotaro saito biography of abraham However, he never forgets that adopting the western style represents just a tiny fragment of the history of Japan and its traditional dress. Steeped in history and culture, this type of garment has been worn by men, women and children in Japan since roughly the eighth century. But what about the modern kimono? His late grandfather was one such artist, Saizaburo Saito, and his father is Sansai Saito, a modern kimono designer.

“We were just overwhelmed by the idea that everything that came from America was powerful and fast, and that everything from Europe was beautiful and detailed. Now that Western fashion is increasingly casual — with its focus on streetwear and its lack of a clear identity due to globalization in conjunction with Japanese people increasingly going abroad to see the West rather than believing in the dream — I think Japanese people have finally realized the beauty of their own country’s fashion culture.

We neglected our tradition, but the fact that we are now able to enjoy and feel pride in our traditional culture is proof that the Japanese have matured in their stance toward it. However, the current popularity of traditional culture leaves us at a crossroad: Is it popular as an exhibit in a museum, or will it morph into something new?”

“We have to move away from how we wear kimono,” he says.

Jotaro saito biography of abraham maslow Work on stage costume for the drama starring Mr. For example, he is now the only kimono designer in Japan to regularly hold runway shows for his collections. All Rights Reserved. Traditional tattoos were strong signifiers; murderers had head tattoos, while theft might result in an arm tattoo.

“People these days go to beauty salons to be dressed professionally and have their hair and makeup done, but in the process they all end up looking the same. People can’t be expected to lose their individuality, time and money — never mind concede to arbitrary restrictions based on age, status and so on — just to wear kimono. The key for the industry is to make kimono without rules, then I can just focus on making the best designs that can compete with a Dolce & Gabbana dress or Armani suit on equal footing.”

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#asianheritage / #etichaldesign / #jotarosaito